Kathleen Tamayo Alves is Assistant Professor of English at Queensborough Community College of The City University of New York where she teaches literature and composition. Her research centers on eighteenth-century literature and culture, biopolitics, and literary history. She has published and presented portions of her book-length project, Body Language: Medicine and the Eighteenth-Century Comic Novel, which explains how medicine shaped and is shaped by comic language through fictional dramatizations of female-specific medical phenomena, such as menstruation, hysteria, and pregnancy.
Aliza Atik is an Assistant Professor of English at Queensborough Community College. She received her PhD from Stony Brook University in 2013 where she won several awards for her scholarship, including an Andrew W. Mellon dissertation fellowship. Dr. Atik’s research interests include Victorian studies, Jewish literature, and Arab/Israeli literature. She gave a talk about Sahar Khalifeh’s Wild Thorns at the 2012 MLA national conference, and her article, “Calibrating the Female Body: Shame, Disgust, and the Recuperative Gaze in Amos Gitai's Kadosh,” was published in Shofar: An Interdisciplinary Journal of Jewish Studies, in 2014. She also works as an Assistant Editor for the peer reviewed and MLA indexed journal Victorian Literature and Culture.
During her time at Queensborough Community College Dr. Atik has integrated her courses into the 2013-2014, 2014-2015, and the 2015-2016 NEH Challenge Grants. In 2015 she collaborated with two colleagues to create an interdisciplinary project incorporating literature, composition, and choreography. This project had students examine genocide, biopower, and surveillance in the public sphere through literature, dance, and personal narrative. She and her colleagues have together given talks on this effort and its impact at such conferences as Writing as Translation: University of Connecticut’s Tenth Annual Conference on the Teaching of Writing (March 2015), CUNY’s Best Practices in Academic Technology (September 2015), and Transitions and Transactions III: Literature and Journalism Pedagogies in Community Colleges Today (April 2016).
Three Years Without God. Dir. Mario O’Hara. NV Productions, 1976.
Aishite Imasu (Mahal Kita). Dir. Joel Lamangan. Regal Films, 2004.
Panaghoy Sa Suba. Dir. Cesar Montano. 2004
Agoncillo Teodoro A. The Fateful Years: Japan's Adventure in the Philippines, 1941–1945 (Quezon City, PI: R.P. Garcia Publishing Co., 1965).
Boling, David. “Mass Rape, Enforced Prostitution, and the Japanese Imperial Army: Japan Eschews International and Legal Responsibility?” Occasional Papers/Reprints Series in Contemporary Asian Studies, 3 (128).
Garcia, Joaquin L. It Took Four Years for the Rising Sun to Set, 1941-1945: Recollections of an Unforgettable Ordeal. (Manila: De La Salle University Press, 2001).
Hartendorp A. V. H. The Japanese Occupation of the Philippines (Manila: Bookmark, 1967).
Holthe, Tess Uriza. When the Elephants Dance: A Novel (New York: Crown Publishers, 2002).
Lear, Elmer. The Japanese Occupation of the Philippines: Leyte, 1941–1945. (Ithaca: Cornell University, 1961).
Polo, Elena P. The Negating Fire vs. The Affirming Flame: American and Filipino Novels in the Pacific War (Philippines: University of Santos Press, 2000).