Leisure Reading: Award Winners

A struggling novelist travels the world to avoid an awkward wedding in this hilarious Pulitzer Prize-winning novel full of "arresting lyricism and beauty" (New York Times Book Review). WINNER OF THE PULITZER PRIZE National Bestseller A New York Times Notable Book of 2017 A Washington Post Top Ten Book of 2017 A San Francisco Chronicle Top Ten Book of 2017 Longlisted for the Andrew Carnegie Medal for Excellence, the Lambda Award and the California Book Award "I could not love LESS more."--Ron Charles, Washington Post "Andrew Sean Greer's Less is excellent company. It's no less than bedazzling, bewitching and be-wonderful."--Christopher Buckley, New York Times Book Review Who says you can't run away from your problems? You are a failed novelist about to turn fifty. A wedding invitation arrives in the mail: your boyfriend of the past nine years is engaged to someone else. You can't say yes--it would be too awkward--and you can't say no--it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world. QUESTION: How do you arrange to skip town? ANSWER: You accept them all. What would possibly go wrong? Arthur Less will almost fall in love in Paris, almost fall to his death in Berlin, barely escape to a Moroccan ski chalet from a Saharan sandstorm, accidentally book himself as the (only) writer-in-residence at a Christian Retreat Center in Southern India, and encounter, on a desert island in the Arabian Sea, the last person on Earth he wants to face. Somewhere in there: he will turn fifty. Through it all, there is his first love. And there is his last. Because, despite all these mishaps, missteps, misunderstandings and mistakes, Less is, above all, a love story. A scintillating satire of the American abroad, a rumination on time and the human heart, a bittersweet romance of chances lost, by an author The New York Times has hailed as "inspired, lyrical," "elegiac," "ingenious," as well as "too sappy by half," Less shows a writer at the peak of his talents raising the curtain on our shared human comedy.

A New York Times Bestselling AuthorAn Indie Next PickA Publishers Weekly Top 10 Spring Literary FictionFebruary 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. "My poor boy, he was too good for this earth," the president says at the time. "God has called him home." Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy's body.From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state -- called, in the Tibetan tradition, the bardo -- a monumental struggle erupts over young Willie's soul.

*WINNER of the NATIONAL BOOK AWARD for FICTION *A TIME MAGAZINE BEST NOVEL OF THE YEAR and A NEW YORK TIMES TOP 10 OF 2017 *Finalist for the Kirkus Prize *Finalist for the Andrew Carnegie Medal *Finalist for the Aspen Words Literary Prize *Publishers Weekly Top 10 of 2017 *Finalist for the National Book Critics Circle Award "The heart of Jesmyn Ward's Sing, Unburied, Sing is story--the yearning for a narrative to help us understand ourselves, the pain of the gaps we'll never fill, the truths that are failed by words and must be translated through ritual and song...Ward's writing throbs with life, grief, and love, and this book is the kind that makes you ache to return to it." --Buzzfeed In Jesmyn Ward's first novel since her National Book Award-winning Salvage the Bones, this singular American writer brings the archetypal road novel into rural twenty-first-century America. An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing journeys through Mississippi's past and present, examining the ugly truths at the heart of the American story and the power--and limitations--of family bonds. Jojo is thirteen years old and trying to understand what it means to be a man. He doesn't lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won't acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager. His mother, Leonie, is an inconsistent presence in his and his toddler sister's lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children's father is White. She wants to be a better mother but can't put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she's high, Leonie is embattled in ways that reflect the brutal reality of her circumstances. When the children's father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love. Rich with Ward's distinctive, lyrical language, Sing, Unburied, Sing is a majestic new work and an unforgettable family story.

National Book Award Winner and New York Times Bestseller! Perfect for fans of NBC's "This Is Us," Robin Benway's beautiful interweaving story of three very different teenagers connected by blood explores the meaning of family in all its forms--how to find it, how to keep it, and how to love it. Being the middle child has its ups and downs. But for Grace, an only child who was adopted at birth, discovering that she is a middle child is a different ride altogether. After putting her own baby up for adoption, she goes looking for her biological family, including-- Maya, her loudmouthed younger bio sister, who has a lot to say about their newfound family ties. Having grown up the snarky brunette in a house full of chipper redheads, she's quick to search for traces of herself among these not-quite-strangers. And when her adopted family's long-buried problems begin to explode to the surface, Maya can't help but wonder where exactly it is that she belongs. And Joaquin, their stoic older bio brother, who has no interest in bonding over their shared biological mother. After seventeen years in the foster care system, he's learned that there are no heroes, and secrets and fears are best kept close to the vest, where they can't hurt anyone but him. Don't miss this moving novel that addresses such important topics as adoption, teen pregnancy, and foster care.

In this literary masterwork, Louise Erdrich, the bestselling author of the National Book Award-winning The Round House and the Pulitzer Prize nominee The Plague of Doves wields her breathtaking narrative magic in an emotionally haunting contemporary tale of a tragic accident, a demand for justice, and a profound act of atonement with ancient roots in Native American culture. North Dakota, late summer, 1999. Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence—but when the buck springs away, Landreaux realizes he’s hit something else, a blur he saw as he squeezed the trigger. When he staggers closer, he realizes he has killed his neighbor’s five-year-old son, Dusty Ravich. The youngest child of his friend and neighbor, Peter Ravich, Dusty was best friends with Landreaux’s five-year-old son, LaRose. The two families have always been close, sharing food, clothing, and rides into town; their children played together despite going to different schools; and Landreaux’s wife, Emmaline, is half sister to Dusty’s mother, Nola. Horrified at what he’s done, the recovered alcoholic turns to an Ojibwe tribe tradition—the sweat lodge—for guidance, and finds a way forward. Following an ancient means of retribution, he and Emmaline will give LaRose to the grieving Peter and Nola. “Our son will be your son now,” they tell them. LaRose is quickly absorbed into his new family. Plagued by thoughts of suicide, Nola dotes on him, keeping her darkness at bay. His fierce, rebellious new “sister,” Maggie, welcomes him as a coconspirator who can ease her volatile mother’s terrifying moods. Gradually he’s allowed shared visits with his birth family, whose sorrow mirrors the Raviches’ own. As the years pass, LaRose becomes the linchpin linking the Irons and the Raviches, and eventually their mutual pain begins to heal. But when a vengeful man with a long-standing grudge against Landreaux begins raising trouble, hurling accusations of a cover-up the day Dusty died, he threatens the tenuous peace that has kept these two fragile families whole. Inspiring and affecting, LaRose is a powerful exploration of loss, justice, and the reparation of the human heart, and an unforgettable, dazzling tour de force from one of America’s most distinguished literary masters.

In the New Y ork of the 1970s, in the wake of Stonewall and in the midst of economic collapse, you might find the likes of Jasper Johns and William Burroughs at the next cocktail party, and you were as likely to be caught arguing Marx at the New York City Ballet as cruising for sex in the warehouses and parked trucks along the Hudson. This is the New York that Edmund White portrays inCity Boy: a place of enormous intrigue and artistic tumult. Combining the no-holds-barred confession and yearning ofA Boy's Own Storywith the easy erudition and sense of place ofThe Flaneur, this is the story of White's years in 1970s New York, bouncing from intellectual encounters with Susan Sontag and Harold Brodkey to erotic entanglements downtown to the burgeoning gay scene of artists and writers. I t's a moving, candid, brilliant portrait of a time and place, full of encounters with famous names and cultural icons.

A sly debut story collection that conjures the experience of adolescence through the eyes of Chinese American girls growing up in New York City--for readers of Zadie Smith, Helen Oyeyemi, and Junot Díaz Winner of the Los Angeles Times Book Prize * Winner of the PEN/Robert W. Bingham Prize for Debut Fiction * Finalist for the New York Public Library's Young Lions Fiction Award NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker * NPR * O: The Oprah Magazine * The Guardian * Esquire * New York * BuzzFeed A fresh new voice emerges with the arrival of Sour Heart, establishing Jenny Zhang as a frank and subversive interpreter of the immigrant experience in America. Her stories cut across generations and continents, moving from the fraught halls of a public school in Flushing, Queens, to the tumultuous streets of Shanghai, China, during the Cultural Revolution of the 1960s. In the absence of grown-ups, latchkey kids experiment on each other until one day the experiments turn violent; an overbearing mother abandons her artistic aspirations to come to America but relives her glory days through karaoke; and a shy loner struggles to master English so she can speak to God. Narrated by the daughters of Chinese immigrants who fled imperiled lives as artists back home only to struggle to stay afloat--dumpster diving for food and scamming Atlantic City casino buses to make a buck--these seven stories showcase Zhang's compassion, moral courage, and a perverse sense of humor reminiscent of Portnoy's Complaint. A darkly funny and intimate rendering of girlhood, Sour Heart examines what it means to belong to a family, to find your home, leave it, reject it, and return again. Praise for Sour Heart "[Jenny Zhang's] coming-of-age tales are coarse and funny, sweet and sour, told in language that's rough-hewn yet pulsating with energy."--USA Today "One of the knockout fiction debuts of the year."--New York "Compelling writing about what it means to be a teenager . . . It's brilliant, it's dark, but it's also humorous and filled with love."--Isaac Fitzgerald, Today "[A] combustible collection . . . in a class of its own."--Booklist (starred review) "Gorgeous and grotesque . . . [a] tremendous debut."--Slate

Winner of the 2015 National Book Critics Circle Award in Fiction Named one of the best books of 2015 by The New York Times Book Review and the Wall Street Journal A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality--the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens--on the southern outskirts of Los Angeles--the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident--the last surviving Little Rascal, Hominy Jenkins--he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

Hailed as a "supreme storyteller" (Philadelphia Inquirer) for his "cunning, dismaying and beautifully conceived" fiction (New York Times), Akhil Sharma is possessed of a narrative voice "as hypnotic as those found in the pages of Dostoyevsky" (The Nation). In his highly anticipated second novel, Family Life, he delivers a story of astonishing intensity and emotional precision. We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family's younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family's new life. Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival.